Democrats suffer from a condition that I’ve come to call “Democratic Realism,” named after Capitalist Realism. No matter how much they get their shit kicked in. No matter how badly they do. No matter how little they accomplish. No matter how badly they look or do in debates. Democrats always believe, beyond a shred of doubt, that they’ll win elections without trying. Not because of their own merits, but because they’re just the only “real” choice; they simply can’t fathom anyone willingly voting for their opponents.

Hillary barely campaigned in the “flyover states” that she needed to win because she couldn’t be fucking bothered to actually try. It wasn’t worth the effort to try and persuade people she thought of as her lessers. And the DNC just went “well, it’s obviously her turn. She’s been waiting for the chance at the presidency for 20 years now. We should go ahead and let her be president.” Because that’s the mentality. They don’t have to “win” elections. They just pick a candidate and they get to win, because there is no “real” alternative. That Bush and Trump won don’t indicate that, yeah, actually, you do have to fight for the people who are voting for you, otherwise they’ll vote for the schmuck that appeals to their basest and most venal instincts. Those were just flukes…right? And you don’t have to inspire confidence and admiration in others, because they should just recognize how smart and accomplished and inoffensive their candidates are, and that they’re told to vote for them by people that are smarter than they are, so they should just shut up and do it.

It’s a party driven less by any kind of ideological goals and more by a pervasive sense of smug, impotent, lazy egotism. And, yeah, they’ll get a shitload of votes in the elections because the alternative always seems to be someone who is one goose-step shy of a literal Nazi. Biden will probably even win the popular vote. Y’know…just like Hillary did…

It can be a problem at other companies, but even worse than average at Valve by virtue of corporate structure. Both of these things can be true.

Fun fact: Former employees of Valve have said that is actually a huge problem in the organization and that its organizational structure seems to encourage bullying and high-school style “cliquishness” by design.

Well, they’re a game developer. And they own GOG. GOG as a subsidiary is a digital distributor of prepackaged digital content. Developing a system that allows people to find a digital item, pay for it, and then download it, is hilariously, vastly different than developing a compatibility layer for games developed for one operating system to run on another. Like…the former is straight up just basic web development. The latter is hardcore systems programming. They are worlds apart.

This is not “a prediction” - this is inevitably what’s going to happen.

Everyone here who has drank the Valve kool-aid and pretends like they can do no wrong is dangerously short-sighted. Steam’s virtual monopoly on PC gaming is a huge issue. You think Epic has a monopoly on the concept of “Store Exclusives?” Fucking spare me. It’s a matter of time before Steam locks in its own exclusives, kills Proton, and locks every. single. game. behind always online DRM.

If you want to distribute your new PC game, guess what? You don’t get to contract with both GOG and Steam. You don’t get to say your game is Linux compatible because it runs well in the Proton compatibility layer. Oh, and if you say “games could run on Linux before Proton!” then you’re deluding yourself by remembering a time when games were distributed with their own launcher and weren’t packed to the gills with platform specific code so that the game integrates seamlessly with a specific third-party launcher and its DRM tools. You bought a Steamdeck? Cool. The version of Arch it runs is no longer supported. You have to upgrade to “Windows for Steameck.” Yes, you have to pay for a fucking Windows license. Yes, it has fewer features than baseline Windows. No, it’s not less expensive.

You think what’s happening to YouTube is bad? Fucking strap in, boys. Welcome to digital content distribution in the age of unfettered capitalism. I wonder how many of you are gonna eat this shit up, huff lethal quantities of copium, and say it’s “not that bad” once it starts happening and you’re faced with either standing by your own stated convictions and giving up almost all PC gaming in general or bend the knee so you can get your precious Steam Library back. Probably most of you.

Fuck, the original Pacific Rim wasn’t even good. Like, how you gonna set such a low bar and somehow slide under it with room to spare?

“My daughter Murph. I keep gettin’ older. She stays the same age.”

Also, I love how he had a son who just wanted to be a farmer and that meant that Matthew McConaughey’s character was justified in being totally emotionally disinterested in him, compared to his genius daughter. Seriously, at a certain point I think Nolan forgot he wrote this guy with two kids. His entire character was defined by his relationship with his daughter. Why even give him a son in the first place?

“This woman, who suffers from body dysphoria and constantly gets more and more plastic surgery (a behavior which harms no one but herself) is the same as this fictional serial killer who tortured hundreds of people to death.”

But in all seriousness, I don’t think it’s nice to make fun of people’s appearance.

“quick call?”

“sure, I’ve got time for the two hour meeting this is going to be.”

I respect the sentiment, but I recently read “Exiting the Vampire Castle” by Mark Fisher and he makes some good points for why callout culture is, shall we say, “less than productive” in some situations.

I mean, this entire discussion hinges on the definition of “trivial,” so…cool.

Not the person you initially asked, but a good one is Eli Whitney’s cotton gin that made separating the cotton fiber from the seeds much easier. It had traditionally been done by hand, which is very time consuming. Whitney’s invention greatly simplified the process and made cotton farming much more economically viable as an industry, ultimately leading to an extreme expansion in chattel slavery in the Southern United States and serving to solidify a planter aristocracy that would eventually seek to split with the United States in order to create its own slaveholding empire, triggering a Civil War that would decimate a large chunk of the country and kill three quarters of a million people.

Don’t Bother Reading

“I guess this is why real companies do regression testing.”

It’s an interesting idea, though, that one’s preference for a particular design or aesthetic, especially when that design or aesthetic is emblematic of a particular historical or cultural moment, is never wholly isolated to its visual or material components, but also innately tied to our memory and understanding of that moment. I personally don’t think you can extricate a particular aesthetic from the psychic background noise surrounding it. Our minds don’t work that way. It’s always forming these subconscious or unconscious connections, binding events and memory to abstract signifiers.

We don’t like the 90s aesthetic because it’s “better” or even attractive. I mean, nobody has wallpaper in their home with those pastel and neon triangles. Many of us like it because it reminds us of childhood, of not having responsibilities other than waking up early enough on Saturday to catch all your cartoons and of not complaining too much when you have to go visit your grandparents who can never remember your birthday and who always ask you how old you are this year, of finishing Super Mario on the SNES before your friend does so you can brag about being better at video games than him. It’s of a simpler time and place, because we were simpler. And it was, in retrospect, of an America briefly sandwiched between the end of the original “Forever War” that was the Cold War, and the beginning of the 20th Century’s new “Forever War,” that is the War on Terror.

First time?

Ah, yes, Drawn Together. The perfect show for people in the early oughts who thought South Park was both too clever and not nearly crude or mean-spirited enough. I’ve seen every episode at least twice.

Great thing is that since it’s open source someone can just fork the project and continue development in a different direction.

XBox has always been a weird console. It never really competes with Nintendo because NIntendo always does its own general thing and also slides neatly into the kids and family market. So it competes with Playstation by default. Except Playstation actually has contracts with good studios to make exclusive games. What’s a non-Halo exclusive for the XBox? Back in the day, you’d play games like Gears of War, Halo (obviously), Fallout 3, Psychonauts, KOTOR, COD, etc. I can’t think of a single meaningful game on the most recent generation for the XBox.

“State capitalism with Chinese characteristics”